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The new show has brought parenting even more fully into characters’ lives, as all of the returning cast members are now dealing with children in some fashion. We see Shane struggle with that responsibility, though, and Shay eventually goes back to live with their father. Shane (Katherine Moennig) also acts for several episodes as guardian of her 9-year-old half-brother Shay. The original “L Word’ did not handle trans issues well. While a trans man being pregnant could make a fine storyline, this one was handled clunkily and only served to underscore the character’s otherness. In a later season, too, Bette and Tina try to adopt, but this falls through.Ĭharacter Helena Peabody (Rachel Shelley) also had children, but they didn’t live with her and played a minimal part in the show.Ībout transgender character Max’s (Daniela Sea) pregnancy, the less said, the better. That same storyline was used by ABC’s “Modern Family” two years later for gay dads Mitchell and Cameron and their daughter Lily. We see only a few storylines related to Angie, however, notably one in which her moms try to get her into an elite preschool by showing that they’re the most diverse family vying for the spot. Fast forward through some break-ups and reunions, and they have baby Angie in season 2. In season 1, they go through various antics while searching for a sperm donor - an overused trope among shows that depicted two-woman couples in the mid-2000s. The main parenting storyline of the original series, which ran from 2004 to 2009, centered on characters Bette (Jennifer Beals) and Tina (Laurel Holloman).
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#Shanes gay definition series
Here, I want to explore the parenting storylines of both series to see what they might tell us about the changing representation of LGBTQ parents. There is much to praise about the new show, including more varied representation in many dimensions of identity. “The L Word: Generation Q,” the sequel to the groundbreaking queer television drama “The L Word,” just ended its first season on Showtime. Photo Credit: Hilary Bronwyn Gayle/SHOWTIME. Nothing to do with homophobia.”Īnother said: “I’m gay myself and I’m not at all offended by this, the song is a classic that’s been played for years and people need to get over it and grow up.(L-R) Laurel Holloman as Tina Kennard, Jennifer Beals as Bette Porter and Jordan Hull as Angie in “The L Word: Generation Q: Loose Ends.” Faggot is an old Irish slang word for a lazy person or a waster, and that’s the meaning that Shane McGowan intended when he wrote the song. ĭespite the controversy some fans have defended the lyric, with one commenting: “Fairytale of New York was written by an Irishman. So of course it shouldn't be celebrated in Fairytale of New York. It's the word of choice for people who hate LGBT people the world over.
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it’s not difficult.įaggot is what a man shouted at me as he threatened to stab me for being gay few months ago. you still have three hundred others to say. one word out of three hundred and one words. See moreĭo straight people realise that we don’t care if fairy tale of new york is still played in nightclubs or on the radio, we just don’t want you to say one word. The word has been censored on the radio and swapped for an alternative in subsequent performances or covers, but Tom argues it “won’t stop straight people singing it at the top of their lungs when it comes on in the pub”. It has been argued that while the word could be used as a “weapon” used against homophobes, it could also evoke bad feelings for those within the LGBT community. Happy Christmas your arse, I pray God it’s our last.” The line in question goes: “You scumbag, you maggot, you cheap lousy faggot. He went on: “If people don’t understand that I was trying to accurately portray the character as authentically as possible then I am absolutely fine with them bleeping the word but I don’t want to get into an argument.” ‘Weapon’ against homophobes